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ABOUT THE WORK
Stop examines interruption as both a visual force and a psychological state.
The painting confronts the viewer with a figure caught between visibility and obstruction. Realism, saturated color, and graphic disruption collide, creating an image that feels immediate, charged, and difficult to resolve. The title reads as both command and condition — a moment of resistance, pause, refusal, or self-protection.
Within Lombardi’s larger body of work, Stop is one of the clearest expressions of her interest in identity under pressure: the familiar face interrupted by signs, signals, and symbolic interference.
DETAILS
Year: 2026
Medium: Acylic and Oil on Cotton Canvas
Size: 24 × 30 in.
Availability: Available
This work is available through the studio. For pricing, additional images, framing details, shipping information, or to inquire about acquisition, please contact the studio.
ABOUT THE WORK
Stop examines interruption as both a visual force and a psychological state.
The painting confronts the viewer with a figure caught between visibility and obstruction. Realism, saturated color, and graphic disruption collide, creating an image that feels immediate, charged, and difficult to resolve. The title reads as both command and condition — a moment of resistance, pause, refusal, or self-protection.
Within Lombardi’s larger body of work, Stop is one of the clearest expressions of her interest in identity under pressure: the familiar face interrupted by signs, signals, and symbolic interference.
DETAILS
Year: 2026
Medium: Acylic and Oil on Cotton Canvas
Size: 24 × 30 in.
Availability: Available
This work is available through the studio. For pricing, additional images, framing details, shipping information, or to inquire about acquisition, please contact the studio.