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ABOUT THE WORK
The Things I Knew begins with a woman whose expression refuses a single emotional reading. Memory, practical thought, pleasure, irritation, longing, and ordinary life remain active within her at once. Her stillness is not emptiness or resignation. It is the visible surface of a crowded consciousness.
Moss, roots, and fragments of landscape emerge around and across the figure. They do not illustrate one event or form a fixed allegorical code. Instead, they give physical presence to the places, memories, and associations she carries simultaneously. The figure and her environment remain recognizable, yet increasingly entangled.
Passages of anatomical clarity sit beside dense accumulations of paint. The face is built through observation, concentration, and control, while the body gives way to broken color, scraped edges, fractured forms, and heavy impasto. These two material languages coexist as the woman does: composed but internally crowded, recognizable but never reducible to one emotion, memory, or explanation.
DETAILS
Year: 2026
Medium: Oil on Linen
Size: 18 × 24 in.
Availability: Retained by the artist — not currently available for sale.
For pricing, additional images, framing details, shipping information, or acquisition inquiries, please contact the studio.
ABOUT THE WORK
The Things I Knew begins with a woman whose expression refuses a single emotional reading. Memory, practical thought, pleasure, irritation, longing, and ordinary life remain active within her at once. Her stillness is not emptiness or resignation. It is the visible surface of a crowded consciousness.
Moss, roots, and fragments of landscape emerge around and across the figure. They do not illustrate one event or form a fixed allegorical code. Instead, they give physical presence to the places, memories, and associations she carries simultaneously. The figure and her environment remain recognizable, yet increasingly entangled.
Passages of anatomical clarity sit beside dense accumulations of paint. The face is built through observation, concentration, and control, while the body gives way to broken color, scraped edges, fractured forms, and heavy impasto. These two material languages coexist as the woman does: composed but internally crowded, recognizable but never reducible to one emotion, memory, or explanation.
DETAILS
Year: 2026
Medium: Oil on Linen
Size: 18 × 24 in.
Availability: Retained by the artist — not currently available for sale.
For pricing, additional images, framing details, shipping information, or acquisition inquiries, please contact the studio.